Search

Shruthi Rajasekar, ARNCM (Associate of the Royal Northern College of Music) is an Indian-American composer and vocalist exploring identity, community, and joy. Chosen by The Guardian as a composer “who will enrich your life” in a list spanning centuries, Shruthi creates intersectional music that draws from her unique background in the Carnatic (South Indian classical) and Western classical idioms.

Shruthi is a 2023 Jerome Hill Artist Fellow. Her compositions have won numerous honors, including the 2020 KHORIKOS ORTUS International Award, the 2018 Composers Guild of New Jersey Award, and the 2018 Global Women in Music Award from the Office of the United Nations High Commissioner for Human Rights & Donne in Musica Adkins Chiti Foundation. In 2020, Shruthi was named a “Rising Star” by the BBC Music Magazine. Performed across North America, Europe, and Asia, her music has reached hundreds of thousands of listeners on Spotify’s Classical Releases, BBC Radio 3, Classical MPR (Minnesota, USA), WSMR Classical (Florida, USA), and WWFM Classical (Mid-Atlantic region, USA). Shruthi’s diverse output is inspired by her dual musical training and diasporic identity. Recent projects include Sarojini, a large choral-orchestral and Indian ensemble composition that had a sold-out premiere at St. Albans Cathedral, new choral works for VOCES8, The Gesualdo Six, ORA Singers, Seattle Pro Musica, University of South Carolina, and Yale University’s Institute of Sacred Music, and large, chamber, and solo instrumental works for professional and student performers, including a new cross-genre piece premiering at Wigmore Hall in 2024. In addition to working with today’s leading musicians, Shruthi is passionate about composing for early performers and has been commissioned by ABRSM to create educational music. Her work has been recorded by the BBC Singers, the National Youth Choirs of Great Britain, Somerville College (University of Oxford), Queens College (University of Cambridge), and Maithree, among others. In November 2021, her composition for the Royal Scottish National Orchestra Junior Chorus was premiered at the United Nations COP26. Shruthi has been an artist-in-residence at Britten Pears Arts (Snape, UK), Tusen Takk Foundation (Michigan, USA), and the Anderson Center (Minnesota, USA).

An award-winning vocalist trained as a Carnatic singer and Western classical soprano, Shruthi is equally adept in experimental and traditional settings. She has performed at Kampenjazz (Oslo, Norway), Snape Maltings (Aldeburgh, UK), Kommune (Sheffield, UK), the Ordway Center for Performing Arts (Saint Paul, USA), Source Song Festival (Minneapolis, USA), and Margazhi Ethnic New Year (Chennai, India), among other venues around the world. Her gurus and teachers are her mother, the internationally renowned musician Smt. Nirmala Rajasekar, Dr. Rochelle Ellis (Westminster Choir College), Jerry Elsbernd, and Patricia Rozario, OBE (Royal College of Music, UK). She has additionally received guidance in Carnatic music, theory, and rhythm from the late vocal exponent Shri B. Seetarama Sarma, veteran musicologist Dr. B.M. Sundaram, and mridangam vidwan Thanjavur Shri K. Murugaboopathi. Honors include “Best On-Stage Presentation” at the national Carnatic Music Idol USA: Season 3 and first place at the Minnesota-NATS Competition.

Shruthi graduated summa cum laude from Princeton University, receiving the Edward T. Cone Prize. At Princeton, she was taught composition and theory by Donnacha Dennehy, Barbara White, Andrew Lovett, Dan Trueman, and Juri Seo. Currently based in Minnesota, USA, Shruthi completed her Marshall Scholarship in the United Kingdom at SOAS, University of London (MMus ethnomusicology, Supervisors: Richard Widdess and Richard Williams) and the Royal Northern College of Music (MMus composition, Teachers: Adam Gorb and Laura Bowler). Shruthi serves on the board of directors of new music chamber ensemble Zeitgeist and is an Honorary Music Patron of Hertfordshire Chorus.

Spin Excitations

Composed 2020 – Clarinet, Violin, Cello, Percussion, Piano

From the composer: “I wrote Spin Excitations after meeting quantum physicists Drs. Lucy Clark and Ross Stewart. I used music to model: 1. the balance of order and chaos, expectation and surprise (aka “spin”), 2. the theory of emergence, the idea that complex life comes from small cells.

As a dual Indian-classical and Western-classical musician, I typically get asked to create work that represents those worlds. But this piece is unique in my output, because I feel it expresses the breadth of my imagination outside of identity labels. I learned from the scientists – and I responded creatively. To me, the piece is not obviously “Indian” or “American” – it’s just me, Shruthi.

See Spin Excitations in Performance

Scroll to Top
Skip to content